For his portrayal of a living older Antiquars not want to be the focal point to become one quarter of the escalating violence and vigilante attacks, pulled Götz George in 2011 received the prize of “the Marl group”. Controversial Film “courage”, is a controversial figure, George figure, the violence is met with counter-violence. In the way George played, he gave himself, as often in his filmography, to recognize as a descendant of the intrepid Götz von Berlichingen. As one who acts for the sake of restoration of justice to the law in the past. As an Upright, before his Conscience, the law must prove their worth – and not Vice versa.
The audience award of the “Marl group” is representative of the Affection of the entire audience. Götz George has to get him only once, this is the price, but more often. Many other also. But Affection, love even, found George according to his own view in this country is never enough. In spite of the great veneration, which gave the city of Duisburg, “the crime scene”-Commissioner, after a decade of still seventeen solos with “Schimanski”. Despite the successes, the audience and critics in the prices United, be it rolls like a Martin Luther at the Theater, the embodiment of the serial killer Fritz Haarmann in “The killer”, the Nazi doctor Josef Mengele in “Nothing but the truth” or satirical roles with Helmut Dietl (“Schtonk!”, Rossini”, “Zettl”). Whether as an Alzheimer’s diseased father, Klaus J. Behrendt in “My father” or as secret lovers in the melodrama “the November man” – various characters, the actor gave his mix of playful Berserkertum and sharp-contoured precision. Götz George, it was said on the occasion of his death in June 2016 at this point, was a “Jack of all trades”. “In every (Genre), and in each role, he traveled with the skin and the hair.”
In his last role in “Bad weather – the mystery of the past” George now Friedrich Türnitz, the mining Baron in Buchenrode in the resin, the “Harz pyrite is the construction of” directly on the former inner-German border. The industry has seen better days, from the formerly several hundred employees, buddy became thirty, many of the tunnels were shut down. Leo Gehra (Matthias Koeberlin), grown in the area and never returned, because he represents his mother, Ilona (Gudrun landgrebe) infidelity, is now a PhD in mining engineer and inventor of the tunnel the customer robot, with which it is possible to inspect underground hazardous passages. The geologist Kathrin Renneberg (Catherine Bode) works for Türnitz and suspected silver deposits in Hohberg, especially in the locked Regina-studs, in which Leo’s father in 1978, the death took place. Kathrin, children’s friend Leo, who persuaded him to return, Nina (Liane Forestieri), the wife is with.
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While some of the buddy to be missed just a cave-in underground, negotiated Türnitz with the Dutch, who want to make the mine a theme Park. You would find silver, would be saved the future of the Region, remained the jobs of the miners. However, the authority does not release the studs. Maps are incorrect or missing. What do the Stasi, with the death of Leo’s father, and who is the “IN chunks”? Dramatically, it disappears, as Türnitz' eight-year-old son Valentin (Claudius Schulte) in the tunnels and the father, alias George low gears, collapsing fights byways and dead-ends deep in the mountain, the awkward questions to be Leo in tow.
Ask questions of the past: Matthias Koeberlin, Liane Forestieri and Gudrun Landgrebe (from the left).
In a television historically interested the pretty scene you see in “Bad weather” Gudrun landgrebe and Götz George for the last Time. You make agreements, it is a past that should remain secret. The two, in Dominik Graf’s “The cat” connected with passion, a love couple? The Türnitz George shows in a familiar, powerful, Landgrebes figure, however, is delicate and discreetly is suffering. The two of you to see, just as Matthias Koeberlin in the main role. But for a legacy of Bad weather is good for “” in his crudely conceived mixture of historical GDR-melodrama, Thriller, and love story. Pale the secondary characters, the story arcs fall apart, not stay, but especially the scenes to convince in and around the mine. They look cheap, as you should have everything to save, first of all, the interior and the rotation time. If three or four miners Carrying on a rescue mission through the forest, trudging, one wonders where the others went (camera Anton climate), why the Regina-tunnel collapses without warning just now (because the screenplay by Nicholas at home and Michael Gebhardt based on an idea by Elisabeth Herrmann wants it to be so) and if you can’t bring something more logic in the whole Thing (directed by Johannes Grieser). The Film, you can safely forget. To Götz George, we are to remember us with other roles.
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