Bizarre, absurd and lovingly staged: Weimar is different – and that is also … – t-online.de

a bomb in A Flower bed, he was doomed policeman, and the smelly Bio-toilet “Exkrema 7500″: The fourth Weimar-”Tatort” with the title “The outgoing Bobby” were certainly ridiculous ideas, dust-dry, ironic dialogue and quirky characters. Thus he was ideally suited, the loyalty to the “scene of the crime”-to polarize the audience. Because Weimar is different. But that is a good thing.

The writers Murmel Clausen and Andreas Pflüger have left their creativity in their fourth Weimar-”crime scene” again, and a delightfully absurd, but also extreme love and devotion thought of a fully-staged case, the Commissioner-couple Kira Dorn (Nora Tschirner) and Lessing (Christian Ulmen). A little fairy-tale Flair, it was thanks to the medieval castle backdrop velvet enchanted herb garden.

The oddities of the people and the headstrong Determination of the (self-)ironic, always perk up the punch lines, the supplying of the commissioners were in “The outgoing Bobby” in the center. This was largely due to costs of the Action, provided however, for sophisticated, klamaukig-funny dialogues, and nicely choreographed scenes, which compensated for the lack of tension easily. In fact, the crime Comedy at the same time, the viewer emotionally with them – what you can claim from the “crime scene”-colleagues from Münster rarely.

The miraculous conversion of the Bobby Lupo

This was mainly due to the tragic figure around which the action turned: the cocoa, roses and colleague Kira love Bobby “Lupo” (Arndt Schwering-Sohnrey). Whose fate did only the mandrel and Lessing, as well as your boss stitch (Torsten Merten), the detect, that you knew nothing about the special Union of man with whom you had a boiler works. And Lupo itself, now seemingly at the end of his life arrived, took for the first time the reins – and his boss as a hostage, to give his rebellion and the desire for revenge on his killer emphasis.

at Least as finely, also the figure of “aunt” Olga kruschwitz, Carmen-Maja Antoni was embodied thought of a wonderful. The Ex-kindergarten teacher, closest friend and sole heiress of Lupo acted grumpy, quirky, idiosyncratic, was not a clear word to lay and Lupo very caring. In short: It is a pleasure to watch her.

concentration

Care of the complicated relationship were sophisticated also braid between the Scholder-sisters, her lawyer, Olga’s son, Ringo, and Lupo, as well as the twists and turns, the “scene of the crime” as a result, again and again. Both had, however, difficult to unravel, and not demanded from the viewers full attention to lose at some point in the thread.

A “crime scene” to discuss

Certainly makes things in this “scene” also argue – whether it be the Humor of the investigators, the Running Gag with the “Kinderkacki”compost bucket, or even the meaningfulness of the Story velvet a surprising final twist.

What school grade you give to the “scene of the crime: The outgoing Bobby”?

But one thing is certain: The Weimar-”the scene of the crime”, once used as a holiday event film thought, has developed his own style, a mixture of absurdity and Drama, wit, and warmth. Of classic investigative work, or even seriousness that is far away, but the colleagues from other cities can provide. Weimar plays passionately with words, images, ideas and characters and is so Special. You can like, or not. But it’s nice that it exists in the “Tatort”series.