Actress Inge Keller died – t-online.de

Berlin (dpa) – their aristocratic, accounting, earned the title of “duty to the Countess of the GDR”. Inge Keller moved with her fine speaking culture, which gave each and every one of your spoken word gloss and touch, the theatre audience in her spell.

+++ Current celebrity News +++

“The cellar” was not a real Star – even if you heard the self-not so much. “Oh, Stars. The yet to be shot today, constantly in the sky and fall very quickly back down from the sparkling Firmament of the world of industrial entertainment,” she said. “I’m not. I’m an actress.”

On Monday died, the Grande Dame of the stage art in the age of 93 in a Berlin nursing home, as the German press Agency from the circle of the basement has been confirmed. Previously, the newspaper “Neues Deutschland had reported.”

19 years of age in the bourgeois Friedenau-raised Berliner, stand on the stage. Keller made his debut in 1942 in the Theater am Kurfürstendamm, after several stations, 1950, went to the Deutsche Theater in Berlin, where she was, until 2001, an ensemble member, and then as a guest occurred.

Keller, who was often referred to as one of the last great theatre divas, worked with Directors such as Wolfgang Langhoff, Peter stone, Thomas Langhoff, Harry Kupfer, Robert Wilson, Einar Schleef and Michael Thalheimer.

At the Deutsches Theater, Keller captivated the audience in large roles such as the “Iphigenia”, Masha in “Three sisters,” Elmire in “Tartuffe” and Mrs. Alving in “ghosts”. The DEFA-Film in the GDR did have a hard time with the character actress, the officials of the East German Culture as the West perceived elegance radiated.

the television of the GDR, but multiple important roles. She starred in “gewissen in Aufruhr” (1961), “Little man, What now?” (1967) and “Effi Briest” (1970). “Too bad,” Inge Keller once, “that I was required to rarely as a comedian.”

In the 70s and 80s, was a guest actress in West Berlin at the schaubühne and at the Renaissance theatre. In the United Germany, she took on roles in cinema and TV films, including “Aimée and Jaguar”, “Lola + Bilidikid”, “Wilsberg” and the film adaptation of the crime novels of Donna Leon’s popular Commissario Brunetti. On the stage of the theater enthusiasts Inge Keller still him high age as a “Tilla” – in a piece about the actress Tilla Durieux.

Inge Keller married in 1952, and later a political commentator on East German television, Karl-Eduard von Schnitzler (“The Black channel”). From the after only a few years, divorced marriage, daughter, Barbara Schnitzler, who was also an actress. Barbara Schnitzler was also picked up in 2013, The theatre prize der Faust for a life’s work on behalf of their mother, because Inge Keller could not come for health reasons. With your psychologically exact, and said, mighty game have written to Inge Keller in both Parts of Germany, the history of theatre, as it was then.