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Last week in Hotel Adlon. The US television channel History Channel presents a new documentary series. The specially flown in international journalists crowd – mostly Latin American – is home to hosting and chauffeuring the bus through Berlin. So to speak of the old haunts. Series Title: “Hunting Hitler”. The negotiated with all sorts of “evidence” -Geklingel thesis: an escape Hitler in 1945 from besieged Berlin was possible not proved his suicide in Führerbunker
bollocks a person suffering from chronic Hitleritis TV pack, with the. marketing of want to do forever undead dictator rate and cash? No, prophecy! Awakened but the leaders this week to new old life. In theater smoke and sulfur vapor, as fallen from heaven or from hell spat. In a wasteland in Berlin-Mitte and so on hundreds of cinema screens. On Thursday, the film version of Timur Vermes’ Bestseller launches “It’s back” in German cinemas. And if I am not mistaken, the interest in the produced by Constantin Film and Christoph Maria Herbst and Katja Riemann star-studded comedy will be considerable. Is it always, when the guy with the mustache is
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Hitler sells, Hitler is Pop. “Banalization of evil” Daniel Erk has the media phenomenon three years ago in the book “As far as Hitler was rarely called” true. Seventy years after the devastating countries and millions of deaths behind transmitting end of the “Third Reich”, the dictator in books, television, movies, Internet has shrunk the optional rechargeable with nonsense or importance decal. A wave Vermes’ Satire 2012 parodied as operated. In Germany the book was sold two million copies, 41 countries have purchased the license, the film completes the evaluation. On the in “He’s back,” set premise that Hitler to Germany meets today, is already pre-comic author Walter Moers in “Adolf, the Nazi pig” come. And the parallel life of the criminal as a cultural figure of fun has begun Chaplin’s “Great Dictator” during his political tenure. In Germany it was last shown Tom Schilling and Martin Wuttke
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This is neither Hitler Demon Clown yet
And now that RTL already announced for 2017, the next series on Hitler’s life, the actor Oliver Masucci occurs under the direction of David Wnendt as Chancellor at a. D.. He has let his own words to ask a little bit. Masuccis Hitler is neither demon nor a clown, a – in terms of real, extinct towards the end of the war, acting ex-charismatics – actually handsome man. It is only logical that its dashing, is ailing from no doubt self-assurance among the effeminate media sausages the oh so libertarian Time strikes like a bomb
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Because right there ends the awakened to his own astonishment in 2014 Hitler after he robbed his staff and the Reich Chancellery, first time at a newsstand owner under takes: on television, where he by media professionals as odd people mistaken for a Comedian is held. Not long and by the propaganda possibilities of TV and “internetwork” enthusiastic Gröfaz has the masses and his secretary Miss Krömeier under control, with “He’s back” look alike as a political satire on the toothless democracy such as a media satire on the rotten television shop leaves.
The book draws its wit from Hitler’s subjective point of view, in the first-person narrator in verschwurbelten Sprachduktus of historical originals commented modern achievements such as granola bars or the computer mouse. This ambiguous, co laugh and not laugh about Hitler inviting interior monologue has succeeded in rudiments in the film version. The first and last sentences of Hitler – the astonished “The people have me probably the most surprised,” and the victory certain “Thus one can work” – are in both cases identical. A faithfulness that David Wnendt has therebetween but luckily evaporated in favor of a second, much more relevant plots.
David Wnendt thinks original and fearless
The fact that the graduates of the Babelsberg film academy Konrad Wolf original, Stubborn and is free of fear, he has proven with the massive-true neo-Nazi drama “Warrior” and the natural fresh adaptation of Charlotte Roche’s bestseller “Wetlands”
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In “He’s back,” he combines now the rise of top Nazis, including a fictitious appearance of the real novel with scenes mockumentary-in Cohen Sacha Baron “Borat” -style. This makes the film formally to a strange hybrids and brakes the comedic pace. These Nazi satire has nothing of burlesque dull baking riot as she was recently seen in Dietrich Brüggemann’s “salvation.” But looks Wnendts society Panorama deep into people’s souls.
For what the people’s tribune, if he wants to know how it ticks? He goes on tour. Accompanied by its discoverer, the television reporter Fabian Sawatzki (dear: Fabian Busch), which must realize that the leader as a declared nature and animal lover has no qualms about throwing cold smiling coffee mug into the mountains or – bang! – To shoot pooch. In the game scenes. In the pseudo-documentary episodes that are 25 account for 105 minutes of film and deliberately linked seamlessly with the scenes, is much Bestürzenderes to see: a Germany that an incorrect Hitler, so Oliver Masucci, welcomes and accepts without significant irritation as genuine. And his grateful favor right slogans.
In every pub once a Hitler boarded
David Wnendt shaken about in an interview even a year after the shooting head. No matter where the Hitler character with the camera team had got there, the picture looked like, he says. “Ten minutes later, there was in any pub, at any place, at least one that is on everything that Hitler told, boarded. Whether in the East or West, whether young or old, they immediately responded to the keywords foreigners and democracy and thundered with anger inside against foreign domination and Islamization. “When open the camera. A costumed actor opposite
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Exactly Wnendt has irritated the fabric. Not the umpteenth parody, the umpteenth slapstick, but the ability to let go of the Hitler figure as Agent Provocateur to the Germany of today and to make the established by him rightward shift noticeably.
The result is eerie Scenes such as the in the marketplace of Bayreuth, where ex-painter Hitler lends itself to passers-by as a portraitist. And what do they do? Can be drawn. 80 Euro Masucci had taken with his scribbles, told Wnendt. Atemstockend grotesque it is, as a black woman to Hitler’s question whether she liked the picture, replies: “I’m afraid to say no.” After all: A man criticized Hitler’s appearance. Otherwise, there has been in this cinematic fieldwork only in Berlin-Kreuzberg and Friedrichshain rejection rather than acceptance. Since the passing in convertible movie Hitler was insulted and attacked at a party. “Would have been sad if not,” says David Wendt, who was born in Gelsenkirchen in 1977 and now lives in Berlin.
His comedy The aim is the perpetrator Hitler, the supposed monster at human scale lop. Meanwhile demonization has long been a vehicle for disposal annoying German complicity in war and Nazi atrocities. But the fraternal, with the fictitious Adolf laugh about media as “He’s back,” practiced a piece is quite belittlement, is Hitler Kuschelpop. Especially in “Lies Press” times
From Thursday in 18 cinemas in Berlin
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