The Last Judgement has been delayed by a few hours. It was supposed problems with the Internet. The musical settlement with his former mentor Bushido ought to be a perfectly constructed setback. Martial. Epic. Historical. These are categories in which a Kay One thinks. In the title of the track even has yet to serve alttestamentarisches Endzeitvokabularium – “The Last Judgement” of Bushido Disstrack was baptized in eschatological mysticism. 25 minutes he should go, he had cost 40,000 euros. Big screen flat. Just right for a settlement with Germany umstrittenstem gangsta rapper. And that, please at prime time.
But the promised premiere time appeared on YouTube, only a shaky cell phone video. “Wireless has collapsed,” says a contrite Kay One, driving his Lamborghinis sitting. “I’m not German Telekom, I can not help it.” Kay One, civil Kenneth Glöckler, who recently accosted itself to a wide audience through his music less than by his role in American Idol judges and a rather misslungenem Bachelor imprints on RTL2 awareness, has taken next. The staging backfired. A false start.
On the Facebook page of the rapper gathered within a few hours more than 50,000 comments. In most of which either he or his family were insulted. Or offended. Or laughed at. And yet looked at the entire German hip-hop community this Friday night for him. Everyone wanted to know if he’s once talented rapper who had lost somewhere in the medial no man’s land of the private trash TVs, could make it, Bushido, to offer just Bushido forehead.
intercourse fantasies with Bushido woman
The answer came with six-hour delay. And it is not entirely clear. Yes, he can. Or rather: he could. In theory, at least. For 25 minutes shows Kay One in “The Last Judgement” what have once loved by his fans: Long lines rhyme chains which he breathes with his vorwärtstrebenden Flow aggressiveness, the unmistakable Kay One nuance is a track. In terms of flow makes him except Kool Savas in Germany no one anything before, so, technically Kay plays in the Champions League (“Kay One is the best rapper in Germany. Point.” Very old Posted by Bushido). Even if he had been content in recent years trying to stick his talent with commercial cotton candy tender ballads.
The technique is not his problem. Bushido is it. The Kay had dismantled in recent years so that slips over long distances in a pure justification role. He has and tries to put them back to be a monetary and career Fixed rapper, who represents the success about friendships. In the role Bushido had urged him. Bushido, the man of honor against Kay, the traitor. As is the big Deutschrap-narrative. So Kay must follow suit. He is working on his biography, his relationship with former colleagues from the hip-hop scene (Jaysus, Marcus Staiger, Eko Fresh, Shindy – all exploiters by his reading) and justifies himself, tries on a rewriting of history. One may buy it from him. But what he did not make it, it is reversed to dismantle Bushido. Even if that is socially and medially long outlawed – in the hip-hop world has made him the very much larger
Except for a few long known accusations. (Bushido is bad for women, wearing a Salafistenbart, loves to play World Of Warcraft, sued his fans are his dogs to the shelter) articulates Kay only a few Beischlaffantasien with his wife, Anna-Maria Ferchichi, sister of Sarah Connor, who also was associated with already Mesut Özil. Too much yesterday, too little today.
After the friendship is treated
Pretty much exactly a year has taken to respond to the bullying of Bushido Kay One time. The previously really missed no opportunity to insult his former protege not only in numerous tweets, Facebook entries and interviews but also in several tracks and humiliate as it is only a Bushido may offend someone and humiliate. A human therapy, it is then called.
The so-called therapy culminated a year ago in a 11-minute Disstrack entitled “The Life and Death of Kenneth Glöcklerlauf”. The final result of today simmering dispute between two exceptional artists. The story of the two is quickly told: Bushido Kay brought to Berlin as he looking for young talent for his new label was ersguterjunge. Kay was one of the most promising rappers in the country. Bushido the most successful by far. The two became friends. And at some point they drifted apart.
Bushido says Kay’ve only used it to become rich and famous. Kay says Bushido have again only used it to write his lyrics can be and to become even richer and more famous. The truth probably lies somewhere in between. In a Disstrack it is not released. He has a very different function.
The perversion of battlerap
The Disstrack is the pinnacle in hip-hop. It is based on strengthening and increasing one’s personality through the artful defame a virtual or real opponent. Who creative acts which asserts itself – and use its social Darwinist education in business, what the hip-hop world is still yes, by. The principle still holds true today, but was alienated in recent times. It’s still struggling to defame his opponent – but not more musical. But human.
To be recorded regularly calls and uploaded on Facebook (what Kay makes in his track) or rap colleagues on the doorstep visited. The Düsseldorf artist Al-Gear drove the principle to the extreme by as animal feed to one of his opponents gummy bears, which he obviously enjoyable previously lodged in male body juices. This perversion of battlerap-concept, it’s not about music. It’s about entertainment for the generation YouTube.
The most commercially successful plates are in fact no longer sold because of their musical quality in Deutschrap long time. But on the entertainment package what they offer in the form of video blogs in advance. Depending entertaining the clips are in the eyes of the target population, the higher ring the pre-sales of the plates. Without that you had this at the appropriate time at all to hear.
With its 11-minute Kay One-Disstrack he staged visually execution imagination, Bushido the wheel again step back. And, at least in this one instance set to the strength of the music. It should be worth it. The music video broke all records click was called 23 million times to date. And it established the event character in hip-hop. The broadcasting of the videos was announced days in advance. “Life and death of Kenneth Glöckers” within 7 hours already seen a million times. The music video was a happening. In the era of YouTube is a minor miracle benefited from the now flat, the new Kay One-Disstrack.
“Judgement Day” was also a Happening. Which can be seen in the numerous comments that fans and non-fans sat in the late night under the video. In this response, many people have been waiting for. The good thing is: How Bushido he put on music. Bushido put there a focus on the content. Kay One on technology. For the fans, there may be only one winner in this musical slugfest. Remember this for all emotionally uninvolved two great pieces of music.
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