18:18 clock
What the doctor’s family WANGEL as organized in its smart wooden bungalow on the fjord, is a clear case for family therapists. The behavioral problems physicians daughters from his first marriage, Bolette and Hilde are finishing up with dark lily and altar candles arrangements to transform the gardens into a kind of casket for her deceased mother years ago. And because her father a misconception subject, his second wife ELLIDA would interfere in such commemorations that is done under extremely realistic displacing pretexts.
No wonder, then, that BOLETTE (Franziska making) and Hilde (Lisa Hrdina ) with the opportunity acquaintances from the Kreativprekariat, Lyngstrand (Benjamin Lillie) and Ballested (Timo Weis cord), from time to time have spontaneously shake a little techno Mucke.
Because what happens if one renounces such easing measures and delusions materialize straight in the body numbness, you can see the official medical head of the family WANGEL themselves – and for what felt like a hundred meters away. Steven Sharp, guest star of the Munich Chamber games, playing him as a bespectacled Hyperklemmi, probably interjecting antidepressants for the production of its duration grin and otherwise really stand out Frauenversteher-penetrance.
Recall that his second wife ELLIDA in this pathological Prozac Hell is the only reasonably healthy person, I really can not doubt – so relaxed fresh and supposedly bathing wet as Susanne Wolff at the Deutsches Theater in the title role, first the Depri scenario (Stage: Katja hate) enters. In this case, this “Lady from the Sea” seems – the daughter of a lighthouse keeper and declared champion of oceanic “Limitless” – to be afflicted in Henrik Ibsen’s 1889 first performance five-act to tangible delusions: Regular her appear so attractive as scary Convention liberated “Stranger”; And the cloudy designed a kind of incarnation of the sea itself, which they had once anvermählt before the staid medical officer marriage in a touching maritime, not quite taken seriously ritual.
the marriage with the medical officer, the stubborn examined this Sailor them the wood bungalow Tristesse snatch – a native Finn, incidentally, whose first appearance at DT is actually being accompanied by a Finnish tango, while ELLIDA, lying in the yoga position of the rolled-up sheet on the ground for several minutes ejects seagull cries. The question of whether this is a comedy or a tragedy to is voluntary or involuntary humor, is not the only one that actually makes this evening remains open.
Stephan Kimmig’s staging their own helplessness and her astonishment at the fabric – not just hyper currently in times of self-realization and imperatives large coalition government quotas for women discussions – about clearly. The result, however, that the audience soon asks what he has actually seen here. Although
To get the ball thrown by WANGEL actor Steven Scharf “stranger” in his second appearance no more tango sound. On the other hand, his transformation from bourgeois doctor to anarcho-sailor takes place this time offenkundigst: On the open stage, he places the Klemmi glasses and a wool cap on – so should the answer to the biggest question of who is here actually crazy, clearly at the expense of conservative district physician and its antiquated Jekyll-and-Hyde existence fail. Hardly, however, one has eingegroovt of it, instead of a psychodrama a kind of “Shining” parody attend with funny trash-and-Thrill-effects, the couple WANGEL squats again too seriously in the bedroom sadness and operates the business with the “strange man” in the gestures of Ingmar Bergman drama on marriage – sidewalks in the eve Soap including
As needed is the kind of fun there, especially Susanne Wolff and Steven Scharf usually prove the necessary genre sovereignty. the strange pale lasting subplots to the daughters and its annex pull it off unfortunately unnerving in the length. After all, the evening includes encouraging interpretation open display elements. Even in the face of Merkel diamond as a kind of ovarian symbol – ELLIDA WANGEL applies this body language effect of semi ironic when she thinks back to her (painful) Pregnancy – could be determined some postperformative Foyer discussion deny
Next performances. 30 November and 6 December
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