Burghart Klaußner is for his starring role in Lars Kraume film “The State against Fritz Bauer” for the German Film Prize nominated 2016, he competes with Oliver Masucci as Hitler revenants in “He’s back” and with Peter Kurth as ALS sick Boxer “Herbert”. comes with nine nominations “The State against Fritz Bauer” as favorites Lola race. Klaußner, born in 1949 in Berlin, was from the 70′s, among others in Berlin, Bochum, Zurich and Dresden on the stage. He already won two film awards, as supporting actor for “The Edukators” (2005) and as the lead in “The White Ribbon” (2010). He was most recently seen in “Bridge of Spies” and in the TV miniseries “The state and the power.” He also leads itself stage director and occurs as a chanson singer on, on July 4, again in the Berlin Tipi.
Men Klaußner, it is often said that the best part of German film are his actors. Is the fact that the German theater scene is so rich?
Sure, but you could also speculate otherwise. theorize, I’m insanely happy. How about: The German nature requires an out-itself? It wants to expand itself – a good prerequisite for playing. There is this programmatic sentence “Please do not let the Germans alone.” One can imagine the hardly still: In the fifties, sixties, there was not even here foreign restaurants. Seen, the actor-wealth Deutsche executed together with the fact that they still want to be a bit more than they actually are. According to the motto: I will not let me alone with myself. Great theory that
We still: How do you explain the history intimately human, that in this Lola vintage historical materials accumulate, the Stefan-Zweig-film “Before the Dawn “about” Anne Frank “and” He’s back “to your film” the State against Fritz Bauer “?
Dealing with the dark times of German history is never over be. It is on the contrary a great fund of stories. At the moment, however, accumulate especially the materials from the fifties and the postwar period, a large film project about the post is in preparation. How the presence – which has long been neglected
In “The State against Fritz Bauer “scares you, how dark was the time.
in my Bavarian high school in a Munich suburb, did in fact a great German teacher since transpired been through about Nazism. And there was the big back comers, the angry old men, Fritz Bauer, Bloch, Adorno … The were possible role models, because they had an anger that could make good use of a young person. Otherwise, yes there was a kind of speech ban: the fear to address the Nazi period, because that led to immediate rupture. Today there is again, this looming social divide. In Dresden …
…. where you have staged Ferdinand von Schirach’s “terrorist” piece and himself play the judge …
… because I’m already the taxi driver whether I address certain issues. There are fast crash, migrants or Pegida.
They grew initially on in Berlin, it was also so dark?
Not at all. The Berlin post-war years were initially dominated by the immense relief to have survived. The landscape of ruins was something normal to me is downright homey when I see pictures of it. 1961, however, the family emigrated to Bavaria because West Berlin economy was depressed after the Wall. Nobody was more in the restaurant my father …
… “to Klaußner” in Grolmanstraße.
People saw no future perspective. Nil Nil sat more five penny on West Berlin.
a pub is indeed a kind of stage, a semi-public space.
It was a traditional restaurant, I have the book. As Willy Brandt and Theodor Heuss, Curd Jürgens, Marika Rokk, everyone was there wrong. I was too small to make use of it. But the innkeeper’s son gene I quite like Sepp Bierbichler or Gustav-Peter Wöhler. I see my father today as an entertainer walk through the restaurant and “Did it taste?” Ask. Humbly, but with a slightly sardonic grin.
you want to write a short story about it?
Because private and political because amalgamated in an extreme way. I hope I get this summer finally do so. My father had always through his Gastwirterei best relationships, knew the generals from the officers’ mess in the Friesenstraße and was smart enough to stay out of the mess. But as in Wannsee took place the last battles of the Wehrmacht, he had still to join. At the same time he floated with his sailboat on the lake, he was lucky to finish.
Coins your bourgeois origins you as an actor?
First, ensure ex negative, because the defense was against the brash Berlinischen tone against the engineering Representative, Wilhelmine. The young Burghart developed a certain sensitivity that sharpened the senses. Today seems, after all, in the Civil insistence on civility in Germany to find.
When Fritz Bauer They thought at first that one can not play. Why we went yet?
how much load this man walked around, amazing! But the figure is extremely important, so: dream job. Just how does one do that? you point to only in order not to succumb to the danger of pure imitation? We were the team quickly agreed that without a certain degree of mimetic empathy does not work with Fritz Bauer. But the notables Schwäbisch, this rift between the origin and the will! Even Fritz Bauer insistence on their own Germanness swings since with his self-weirs against exclusion as a Jew. His gestural apparatus there was quite even with other men of that time, just think of Herbert Wehner. The hostile, aggressive confrontations in parliament were indeed frightening. Many were fighting to armed to the teeth.
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