The Viennese are back and take us today in the scene: code name Kidon again in a tangle of plots ranging highest levels.
Moritz Eisner (Harald Krassnitzer) has on the tracks and raises his arms dramatically to stop a train. The simple bangs over. This scene from the scene: code name Kidon director and author Thomas Roth Max Gruber grasp the charm of the Viennese crime scene team together excellent. Previously Moritz and Bibi (Adele Neuhauser) were the freight train buddy chase on the highway to prevent it creates valves out of the country, which could be used in Iran to build nuclear power plants. It is not a very exciting sequence, except maybe the garage bursts with model trains. But how Eisner everything out there to do his job, how big the resistance also fails, the impressed, even if it can not stop the all-powerful machine.
posturing, which can both Wiener Commissioners. The greater the enemy, the better her crime novels, is the rule, and in the scene: code name Kidon it have the villains in itself. Said freight train is used to bypass an embargo, followed by the lobbyist dress rock-Lisse (Udo Samel) deserves stupid and dumb. One of his contacts, an Iranian nuclear scientist by the name of Bansari is toppled from his hotel window to his death. But while Iranian diplomats sell the thing as suicide, Bibi und Moritz believe in a murder. Just who is behind it, Iran, the underground economy or even the Israeli secret service Mossad and his strike team Kidon (it really is)?
Of all, the thriller mixture of this Viennese crime scene a bit, but not enough to connect to the strength of previous missions. This is the entertainment value of this crime scene at the usual Viennese level. Bibi and Moritz tease each other a little, but a lot with the others. Once again amazed with what naturalness Krassnitzer and Neuhauser act together, as they would do for ages, but not as they would have to do it for ages. Between this type of Crime familiar plot elements, including buggy commissioners and police corruption, opportunist dress rock-Lisse falls on the original rogue creation. Samel makes this slick guy who resides in a castle and Baroque parties are, with exquisite politeness and arrogance. He’s not a mustache zwirbelnder devil, rather an unscrupulous Great citizen who believes himself the nobility. K & amp; K finally called the company, with the clearing of its transactions
Despite the dazzling an opponent and a genre appropriate narrative pace is the scene: code name Kidon the seemingly existential despair of other Viennese inserts from.. For the viewer obvious findings are artificially delayed beyond, that we may see Eisner wine and beer sippen or telephone his daughter to hear. A daughter whose presence the end of this quite enriched thrillers whose originality is still not as character regardless of their status as Eisner’s young but irrelevant.
The little ones against the big, Eisner against the Iranian diplomat who walked away with the evidence: This is the Viennese scene par excellence. Thus, even if the script too little brings out from around the scope of Iran, Mossad and Austrian profiteers, the steadfastness of the two commissioners of the real reason is on. How Bibi and Moritz the train ride behind, pause, see him rushing past, re-enter and accelerate
murder of Sunday . “ We can not but two Mossad agents shoot in the street, how does this because “
Quote Sunday: “, Say, you have a sounder, or what ‘? / i> “
How did you like the new scene from Vienna?
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