Monday, January 5, 2015

Pino Daniele: Italian singer Pino Daniele dies of heart attack – ABC Online

Monday, 05.01.2015, 13:55
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The Italian singer and songwriter Pino Daniele is aged died of 59 years. A native of Naples Artist succumbed to a heart attack on Monday night.

About the cause of death of Pino Daniele informed his manager Ferdinando Salzano. Daniele had become known since the beginning of his career in the 1970s with a mix of jazz, blues and rock, especially in Italy. Numerous colleagues expressed publicly their sympathy.

“My great friend, I will remember you with a smile,” the singer Eros Ramazzotti wrote on Instagram. Prime Minister Matteo Renzi said: “An incredible voice, not only of Naples and the South, but the whole of Italy.”

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“Tatort” actress loves spy films: Adele Neuhauser: “I would like … – evening paper Munich

“Tatort: ​​code name Kidon” advised Bibi Fellner and Moritz Eisner in a real agent of war. What keeps Adele Neuhauser it, and what it has done everything in the new year.

Adele Neuhauser (55, “Doctor’s Diary” ) plays the woman on the side of Harald Krassnitzer (54) in Vienna” crime scene “. Your characters, the Commissioners Bibi Fellner and Moritz Eisner, but are pure colleagues. Why should remain so, betrayed Neuhauser News Agency news spot on. She also talks about James Bond and their good intentions for the new year

Adele Neuhauser. I was wondering if I with the cease smoking, let’s see if I can do it – does not sound very convincing or

What can we expect from Bibi Fellner and Moritz Eisner this year

Neuhauser: There are some interesting cases? and beautiful challenges. For me it is a pity indeed that Bibi has come so quickly from the alcohol away. Thus, the brittle character has become a bit smoother. You have to find ways to keep still in a bit of instability. I think that’s important.



In “Kidon” she babbles a boy from a beer. Is this a sign that they will reoffend

Neuhauser:? We shall see

Fellner and Eisner are very close.. Is there any hope that the two eventually become a couple

Neuhauser: Certainly not. Since I refuse and I think Harald also. The story would then dilute and auserzählen quickly. Bibi and Moritz spend much time together anyway. They behave like a couple already. Were it not for his daughter, she would anyway almost always together, but only on a friendship level

What is Bibi Fellner’s love life from

Neuhauser:.? I do not think Bibi a dried-up old maid is, she can also have their adventures, but with other men. Then the confrontation between the characters remains fresh. Eisner attacks anyway already an unduly Bibi’s life and speak against debt collection Heinzi.



“code name Kidon” has many elements of an agent thriller. Are you a fan of James Bond

Neuhauser: Total, James Bond for me is like a detective tale. The new Bond films starring Daniel Craig are made fantastic

He’s your favorite Bond actor

Neuhauser:.? Daniel Craig and Sean Connery are for me the best Bond Actor. Connery was a gentleman through and through and at the same time a daredevil

Bräuchte the “crime scene” more of James Bond

Neuhauser:.? Especially when the scene I find the figures that the more correspond to reality important. He tells his story to a more realistic level. The other we know too Hollywood

Would you like to participate once in a Bond movie

Neuhauser:.? Since I was doing immediately

and! Who would you like to play

Neuhauser: James Bond, of course

!

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Crime fans wondered why sits the “crime scene” – daughter in a wheelchair? – IMAGE

Even if it is the fourth “Tatort” in nine days, “code name Kidon” you have to watch. And that’s why you go in Vienna thriller. more …

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Review of the Vienna-scene “code name Kidon” – “We are not shit” – Süddeutsche.de

You want to have a say about the “crime scene”? Find out why the Viennese investigators do not believe in Glacéehandschuhen and Moritz Eisner not understand the world anymore. The “crime scene” -Nachlese – with the best audience comments.

From Carolin Gasteiger

What it works:

High politically start the Viennese investigators into the new year. An Iranian diplomat fatal crashes from his hotel room and just the Israeli secret service Mossad should be involved in the death. But “how are we to ferret out by our means a special unit of Mossad?” Asks Commissioner Eisner. After all, he and Bibi Fellner can hold a überkandidelten gun lobby in check. And that succeed very well

Read about the review of SZ Tatort – critic Holger Gertz.

Significantly dialog:

Bibi Fellner and Moritz Eisner had John Leopold had to foraging rock-Lisse almost of involvement in illegal business – but then the lobbyist is released on bail. Especially Eisner no longer understands the world

Fellner. Moritz, the world You can not change

Eisner. Yeah. “My confidence in the authority continues,” (this sentence said costume rock-Lisse before the press).

From dress rock-Lisse pulls up in his car, the businessman boosts from the back seat of the window down

Costume rock-Lisse. Mr. Eisner, you can not win. We have the money, we have the relations. And we’re not shit. And You? They have no money, no connections and must abide by the rules. Can never go

Eisner. Continue, before I forget myself

Costume rock-Lisse. Are we a sore loser? Already. You know what? I really would love to be your friend. Really. But of course you are yourself the way

The best audience comments.

The best scene:

Perhaps not the best, but in any case the most charming. Bibi Fellner studied in a warehouse after delivery of special valves to be illegally smuggled out of the country. Suddenly a young worker comes in. The following is a delightfully awkward attempt to get her mouth lazy young man to talk to. But Bibi can not take offense, but you can see her happy – she is with her flair but finally properly

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Your supervisor. may demand such a prominent suspects still so after interrogation methods with “Glacéehandschuhen”. But the Viennese Emittler interrogate John of costume rock-Lisse with the necessary clarity and directness, like everyone else. (- “Even the Iranian nuclear program?” “Actually, I am a farmer, I see too happy how everything grows and prospers..”) Hard to bear

flop Unlike its bombastic remarks are. :

“code name Kidon” acting Commissioner Eisner somehow unmotivated. At one point he falls for a corrupt provincial police, elsewhere he tries to stop a freight train in an almost ridiculous one-man show. Good thing he is going on vacation at the end of the case. RECOURSE only hope that does not take too long

Best appearance.

Udo Samel mimes the inscrutable John of dress rock-Lisse greasy and needs for not a big gesture still pronounced facial expressions. Particularly disgusting it acts as wegzitieren him the commissioners of a charity ball with Baroque motto and he is pompous and adopted into white curly hair of his wife (“On y va. A bientôt, ma chere grande.” So something like “Let’s go. See you soon, my love “)

The realization.

In itself, this scene well designed with current references to Iran’s nuclear policy and Europe’s response to , But of intelligence matters seems the Vienna team overwhelmed and can not develop its full potential

The final punch.:

Also, an arrogant lobbyists obsolete sooner or later justice a. Or rather, the Mossad



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Sunday, January 4, 2015

Movie review Tannbach: The Wall in head does not want to fall – FAZ – Frankfurter Allgemeine Zeitung

      

 
 
 
 
 
     
 
 
 
 
 
 
 
 
         

 
 
 
 
 
          This is not about further: seamstress Liesbeth Erler (Nadja Uhl) did not reach her son on the other side of the border.
     

 
                                           
 
 
     
     
     
         
         
                    � �                                        

It is the story of a village in which reflects the history of a country. The place is called Tannbach. There’s not him, but he has a real role model: Mödlareuth, a fifty-strong community on the border between Bavaria and Thuringia. For 41 years walked right through this hamlet of the inner German border. “Little Berlin” called him the Americans. The inhuman absurdity of the “anti-fascist protection wall” was shown here in a special way. From the separation of a country and the separation is in the minds of the three-part “Tannbach”, opened with the ZDF television play the year – a history lesson on three nights, which has its strengths and its weaknesses

.
                         
         
         
                                                             
                             

Michael Hanfeld. Author: Michael Hanfeld, born 1965, editor of the feuilleton, responsible for “media”

On the Good STRIESOW focus the events that take place in the years 1945-1952. In the last days of World War II, the Americans will advance to the village. By holding Nazis put together the final squad, with the old and very young. The Countess (Natalia Wörner) opposes and also does not reveal where her husband George (Heiner Lauterbach), which is deserted hiding. Your courage they paid with their lives. A few minutes later, the Americans have fought to the last resistor and we have been familiar with the acting personnel: the informers Franz Schober (Alexander Held), who had just been a model-Nazi and could quickly come to terms with the new masters; Count of STRIESOW (Lauterbach) who looks at the shooting of his wife; his daughter Anna (Henriette Confurius), on whose shoulders soon everything will weigh; the seamstress who had fled from Berlin Liesbeth Erler (Nadja Uhl); her son Frederick (Jonas Nay) and her foster son Lothar (Ludwig Trepte), who had to go into hiding a s a Jew, and Hilde Vöckler (Martina Gedeck), whose son can shoot the Countess.

                         
         
         
         
             
                                                                      
 
 
 
 
 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 


     
     

 
     
 

     
 
     
 
     

 
         
                       � �                                                                                        © Dusan Martincek, Lukás Zentel
 
             

Lothar (Ludwig Trepte, M.) is shot while crossing the border.


 
             
 
             
 
                             
         
         
     

 

     

 

 
 


 
     
     
                 
                                 
                                                                             
                                                                                                               Tannbach - fate of a village (3)
         
                                      
                                          Lothar (Ludwig Trepte, M.) is shot while crossing the border.
                     
     

     

 


 
                                 
                         
         
         
                                                             

But these are by no means all, their broken through the now growing through the village boundary paths of life we ​​come to know. The Americans pull out, the Russians before move, shoot and a family pass to the women. The command receiver attit ude but not sure it is sometimes the same forms, they have changed the uniform – Instead of the functionaries of the NSDAP enter the apparatchiks of the SED on the plan. The District Konrad Werner (Ronald Zehrfeld) now has the final say. The arranged land reform it seeks to regulate tolerated, but when the “Action vermin” starts at the arbitrary suspects are forced to move, he is with his socialism with a human face at the end. The man from the Stasi takes over again is not shilly-long, and not for long, because shooting at the border village in German on a German and push the warring sides to blame for the murder.


                                                                                                     
 

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The divided village Wall cut Mödlareuth

Not only is the metropolis of Berlin was formerly divided into East and West: In the small village Mödlareuth on the border between Bavaria and Thuringia stood for decades a wall. More

11/04/2014, 14:20 clock | Politics

     
     
     

 

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Film Criticism “Tannbach”

The wall in the head does not want to fall

From Michael Hanfeld

Stories from post-war Germany: The ZDF miniseries “Tannbach” is about the division of a village and an entire country. And says a lot about the presence of German television.

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Those who have tickets for the opera, not kills himself: the Viennese scene Kidon – FAZ – Frankfurter Allgemeine Zeitung

      

 
 
 
 
 
     
 
 
 
 
 
 
 
 
         

 
 
 
 
 
          Bibi Fellner (Adele Neuhauser) and Moritz Eisner (Harald Krassnitzer) chasing the big Crime
     

 
                                           
 
 
     
     
     
         
         
                                                   � �         

Soon to be getting it Bibi Fellner and Moritz Eisner with Israeli intelligence to do and feel like a spy thriller. It all starts like a bad joke, and it goes like this: If a Viennese taxi driver in front of a hotel on the ring road. Come by man. “Nice taxi you have there,” he says. “Year 1977″, the taxi driver says proudly. As a man falls from the open hotel window above them and ends up crashing on the car roof. The man is dead, the taxi back – and the punch line? Is not that easy to find. And therefore steals a soon feel that Bibi Fellner and Moritz Eisner this time not urgent hunt a killer, but to look for outstanding Pointe.


                         
         
         
                                                             
                             

Ursula Scheer. Author: Ursula Scheer, Freelance writer for the feature section

Where does the Austrian “Tatort” called “code name Kidon” spin the wheel quite large. The innocent question: “Was not suicide,” with the right ungrantelig opened for variety Polizistenduo begins his investigation is quickly negated: Anyone ordering opera tickets for the evening, not kills himself, quite. And soon find both at the highest altitudes or rather deepest depths of international conflict diplomacy. For the dead man was on the roof of Iranian nuclear physicist and one of the highest-ranking security clearance in the nuclear program.


                         
         
         
                                                             

What he was doing in Vienna? Well establish secret contacts with companies that could smuggle parts for the factories to Iran embargo on past when the Islamic Republic forges on their nuclear weapon. Who could kill a man like that? A special unit of the Mossad, the (which means as much as “bayonet”) under said cover name “Kidon” surgery.


                         
         
         
         
             
                                                                      
 
 
 
 
 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

     
     

 
     
 

     
 
     
 
     

 
         
                                                                                                                © Degeto ARD / ORF / Petro Domenigg
 
             

Baroque appearance: Udo Samel as sleazy lobbyist John Leopold costume rock

 
             
 
             
 
                             
         
         
     


 

     

 

 
 


 
     
     
                 
                                 
                                                                             
                                                                                                               Tatort: ​​code name Kidon
         
                                     
                                          Baroque appearance: Udo Samel as sleazy lobbyist John Leopold costume rock
                     
     

     

 


 
                                 
                         
         
� �        
                                                             

“Intelligence, Mossad, Kidon – scho ‘steep,” Bibi Fellner says to her colleagues, as the two rustling in the car through the city at night and shine their eyes, while outside everything lies there as if frozen in frost. Eisner replied with a rumbling laugh that reveals more ferocity than amusement: “Bibi und Moritz Bond.” Exactly. That’s the problem.


                         
         
         
                                                                                                                                                                                                                               

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For the espionage number (Book: Max Gruber, Director: Thomas Roth) is the rock-solid duo bad. This type Adele Neuhauser and Harald Krassnitzer also a brilliant idea, if they do not have to constantly beharken like an old married couple. But their scope is limited to provincial ever to create tension. To the nerves tugging at best pseudo-oriental dudelmusik (Lothar Scherpe) that accompanies all actions.


                         
         
         
                                                             

This is a lot going on. Bibi runs after a dubious Exiliranerin, a Lifeless falls to investigators at the feet of the race two a freight train with hot commodity after, and Udo Samel sets as sleazy lobbyist for the brand “noble, decadent and Upper corrupt” a grand appearance out in Jankerl and with full-bottomed wig. Latest technology (Handyortung!) Is used, the outlines major crimes are reflected in the bribery dirty little policemen from the country, and for the Menschelnde provides Eisner’s daughter (Tanja Raunig), which literally comes back on its feet.


                         
         
         
                                                             

And yet especially strange teachings of this film remain: If you want to run away from someone, you disappear behind a moving tram. Never give out your cell phone out of his hand, otherwise you could quickly catch a spy Trojan. Listen to your gut feeling. Never try to stop a freight train rolling, by standing with arms outstretched in front of him on the tracks. Trust in doubt, the Mossad as the Austrian authorities. Then drive – and that is the point – with the hybrid train on vacat ion. Bibi Fellner and Moritz Eisner earned more wit.


                                                                                                                 
 
  
 
 
 
                       

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FAZ.NET-crime scene forensics How to handle a nuclear embargo?

In the new scene from Vienna, Austria proves to be a starting point for smuggling explosive technology. Murder suspect gets Israeli intelligence. How realistic is it? More From Eva Heidenfelder

01/04/2015, 21:45 clock | Feuilleton

Police shoot again blacks near Ferguson

After the fatal police shooting of a black youth in Ferguson has a few kilometers away from the crime scene occurred a similar incident. The police in St. Louis announced that officers had shot and killed a 23-year-old man with dark skin on Tuesday afternoon. More

8.20. 2014, 10:25 am Clock | Society

FAZ.NET Crime Scene poll The Top Ten of our readers

Lots to do there was this year in the FAZ.NET-crime scene forensics. Goods Television Thriller actually always designed so outrageous? Some notable cases there was also. Our readers have chosen. More From Uwe Ebbinghaus

31.12.2014, 11:19 am Clock | Feuilleton

The actress

Carolina Vera, known as a prosecutor in Stuttgart crime scene, listening particularly like panel discussions and looks a look around. More

09/10/2014, 11:31 clock | Feuilleton

     
     
     

 

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“Tatort” critique

Who has tickets for the opera, brings not be a

From Ursula Scheer

The Viennese “Tatort” commissars Bibi Fellner and Moritz Eisner have to deal with the Mossad in “Kidon” and play James Bond. Here’s the problem.

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Too tired for the Mossad: Fellner and Eisner in “code name Kidon” – n-tv.de NEWS

Entertainment
 


 Sunday, January 04, 2015

 
 
 


  By Ingo Scheel
 


 


 
 An Iranian nuclear scientist jumps out of the hotel window, a fashionable lobbyist dancing the Viennese duo around on the nose and Fellner’s daughter mutilated himself. However, this brings the little ruffled. If flirted with the Viennese “Tatort” subliminally by the pension?

 


 

Perhaps there is just too little room for improvement – who looks constantly worried, has almost no room, when things get really serious. The anxious eyebrow bay in the face of sad grumpy bears Moritz Fellner (Harald Krassnitzer) is, as so often in Vienna “crime scene”, the optical fixed point of the action. And this is equally powerful steam under the boiler. Just now converses of taxi drivers outside the hotel with a colleague, as he suddenly slams man on the car roof. The Shattered contemporaries is the Ir anian nuclear physicist Dr. Bansari.

First, one starts from suicide, but quickly condense the signs that someone else had the bad finger in the game. And faster than you “Nuclear Power – No, thank you” can say Bibi Fellner (Adele Neuhauser) Eisner and Fellner are in a complicated plot to corruption and nuclear power, murder and Mossad agents and abuse of office. A member of the Iranian embassy ineptly almost unhindered the evidence, the police chief presses addition to determining brake and privately it all boils down other than round. Eisner’s daughter is struggling in a wheelchair and has to be away from home start their rehabilitation.



screw in the thigh

And Claudia Eisner (Tanja Raunig) is that the case with this one probably the most disturbing sequences beginning in 930 “Tatort” episodes heralds. In order to check whether it already has feeling in the paralyzed leg, she grabs one of the big 4-inch screws, with her father degree builds on a shelf, and drives them lengthwise in the thigh. How fast can you hand did not have in mind how her sweatpants red. Eisner takes the almost absurd left, puts his arm around her shoulder and pats paternally.

This low operating temperature, it is that eventually permeates the whole case. As figures in miniature wonderland trudges the brave duo through the underworld. As Eisner leaves me nothing you nothing to take the phone out of his hand and infect an agent of beauty with a Trojan since capitulated woman Fellner in the chase of the woman in high heels. The case is on a large scale, the plot to high technology and nuclear smuggling mafia is as controversial as contemporary. It is only the question of whether the Vienna tandem here can not keep up. As Eisner trudges alone with plush wool hat and hands in pockets through events, breathes the desire for reduced working time or sabbatical.



To lame, too tame, too soft

Once the two take the Fight on, as they make it by car, stop the train with the contraband on board. For a time, the Kriminalen and the special train on par, but no later drop out as Eisner and almost touching angle-angle trying to stop the train, you want to call out to him that it is not the faithful Emma and Luke the Engine Driver, is here .

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No question, the two are one of the most established teams, the chemistry is right between them and the Viennese humor keeps pleasantly within limits. Whether one but with such a global scale cases do them a favor – that question the script writer must stand for it. Eisner about himself might, as once make similar sad-looking ZDF colleague from Munich Stefan Derrick, better on the living room couch, a suspected widow. Cookie in one hand and a cup of coffee in the other hand and questions such as “Did your husband enemies?” . tory

Instead, before his eyes at the end even the dodgy lobbyist John Leopold dress rock-Lisse (great as always: Udo Samel) executed. Helpless Fellner and Eisner must leave the murderer pull on the bike away. Eisner’s reaction is understandable as pragmatic: “I’m doing now first vacation and visit my daughter.” A right decision. We wish good rest.


 
 


  Source: n-tv.de
 


 
 

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Crime scene: code name Kidon – Two Hundred percent – PILOT MOVIE NEWS

The Viennese are back and take us today in the scene: code name Kidon again in a tangle of plots ranging highest levels.

Moritz Eisner (Harald Krassnitzer) has on the tracks and raises his arms dramatically to stop a train. The simple bangs over. This scene from the scene: code name Kidon director and author Thomas Roth Max Gruber grasp the charm of the Viennese crime scene team together excellent. Previously Moritz and Bibi (Adele Neuhauser) were the freight train buddy chase on the highway to prevent it creates valves out of the country, which could be used in Iran to build nuclear power plants. It is not a very exciting sequence, except maybe the garage bursts with model trains. But how Eisner everything out there to do his job, how big the resistance also fails, the impressed, even if it can not stop the all-powerful machine.

posturing, which can both Wiener Commissioners. The greater the enemy, the better her crime novels, is the rule, and in the scene: code name Kidon it have the villains in itself. Said freight train is used to bypass an embargo, followed by the lobbyist dress rock-Lisse (Udo Samel) deserves stupid and dumb. One of his contacts, an Iranian nuclear scientist by the name of Bansari is toppled from his hotel window to his death. But while Iranian diplomats sell the thing as suicide, Bibi und Moritz believe in a murder. Just who is behind it, Iran, the underground economy or even the Israeli secret service Mossad and his strike team Kidon (it really is)?

Of all, the thriller mixture of this Viennese crime scene a bit, but not enough to connect to the strength of previous missions. This is the entertainment value of this crime scene at the usual Viennese level. Bibi and Moritz tease each other a little, but a lot with the others. Once again amazed with what naturalness Krassnitzer and Neuhauser act together, as they would do for ages, but not as they would have to do it for ages. Between this type of Crime familiar plot elements, including buggy commissioners and police corruption, opportunist dress rock-Lisse falls on the original rogue creation. Samel makes this slick guy who resides in a castle and Baroque parties are, with exquisite politeness and arrogance. He’s not a mustache zwirbelnder devil, rather an unscrupulous Great citizen who believes himself the nobility. K & amp; K finally called the company, with the clearing of its transactions

Despite the dazzling an opponent and a genre appropriate narrative pace is the scene: code name Kidon the seemingly existential despair of other Viennese inserts from.. For the viewer obvious findings are artificially delayed beyond, that we may see Eisner wine and beer sippen or telephone his daughter to hear. A daughter whose presence the end of this quite enriched thrillers whose originality is still not as character regardless of their status as Eisner’s young but irrelevant.

The little ones against the big, Eisner against the Iranian diplomat who walked away with the evidence: This is the Viennese scene par excellence. Thus, even if the script too little brings out from around the scope of Iran, Mossad and Austrian profiteers, the steadfastness of the two commissioners of the real reason is on. How Bibi and Moritz the train ride behind, pause, see him rushing past, re-enter and accelerate

murder of Sunday . “ We can not but two Mossad agents shoot in the street, how does this because

Quote Sunday: “, Say, you have a sounder, or what ‘? / i> “

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“Tatort” today from Vienna: “code name Kidon” is worth seeing – T-Online

Who <"TshowLinkInXML" span class => “Tatort” with Cristian elms and Hoku Ho was annoyed at the New Year’s eve due to fuss from that which could be the first with his contemporary thriller from Vienna placate again. For the “Tatort: ​​code name Kidon” (ARD at 20:15 clock) revolves around a serious and politically charged topic. The focus of the story are agents of the Mossad, representatives of the gun lobby and the smuggling of components for nuclear reactors in Iran.

From the top floor of a Wiener-class hotel in a man plunges into the depths. The Iranian diplomat and nuclear physicist Dr. Bansari apparently committed suicide. But why he bought more expensive opera tickets for the same night? Moritz Eisner (Harald Krassnitzer) and his colleague Bibi Fellner (Adele Neuhauser) want to pursue the question. But immediately mingling at the Iranian embassy and the Austrian Foreign Ministry

Parts of nuclear reactors in Iran

The case is subject to the strictest secrecy -. Laptop and cell phone dead will be confiscated. The two investigators are eaten, but do not give up. The surveillance video of the hotel leads to track down the dodgy lobbyists John Leopold dress rock-Lisse (Udo Samel). This had arranged with Dr. Bansari a secret deal

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If you look at the new “crime scene” from Vienna?

Eisner and Fellner find out that it comes to components for nuclear reactors are needed and should be sent with a trainload of third countries to Iran. For the two investigators face a race against time, and with the Israeli intelligence agency Mossad.

In addition to complications such as in a spy thriller Crime has quite the action-packed scenes. For example, as Eisner and Fellner have to bring a freight train at full speed to a stop. Acting-shines with the investigator duo mainly Udo Samel as a fashionable designers and crafty lobbyist. We believe that this “scene” is always worth seeing

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Author of the “risk society”: sociologist Ulrich Beck is dead – ABC Online

Sunday, 04.01.2015, 10:33
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Ulrich Beck, one of the most famous sociologists of the present, is dead. This was confirmed by Suhrkamp Verlag. Beck was 70 years old. He became famous as the author of “risk society”.

The internationally known German sociologist Ulrich Beck has died at the age of 70 years. This was confirmed on Saturday Beck Verlag, Suhrkamp Verlag in Berlin. According to a report by Süddeutsche.de Beck died on January 1 of a heart attack.

Beck was one of the most cited sociologists in recent decades. He became famous with his bestseller “risk society” (1986), which was translated into more than 35 languages. The concept of “risk society” Beck made also beyond academic circles known.



criticism of politicians who promote specific fears

According to modern society does not suffer from their defeats, but on their Win: Global terrorism is a consequence of the victory of modernity. The climate crisis is threatening because industrialization has been so successful. Mass unemployment follows from the productivity gains. The population pyramid breaks the social systems, because the medicine allows people to live longer.

Some of the jobs created by him concepts have found their way into everyday language. . This includes not only “risk society” and “individualization” or “elevator effect”

Beck’s comments on the social construction of global risks in the “second modernity” found much approval: Because the risk – as the anticipation of a possible disaster – not is measurable, his felt extent of the definition depends. It can be dramatized or minimized transformed or be denied. And it must be seen as a hurricane, which is explained as the harbinger of global warming.

The global world risks, Beck argued, the controllability escape. He criticized the policy sometimes staging the terror and fear of terrorism use to bring uninhibited safety laws and monitoring instruments on the way.



Love also belonged to Becks themes

With humor, non-slip grip and images published Beck – occasionally with his wife and colleague Elisabeth Beck-Gernsheim – a bestseller after another. In “The Normal Chaos of Love” (1990) and “distance love: life forms in the Global Age” (2011) described the couple’s destruction of traditional values ​​and commitments, as well as the consequences of individualisation

Beck was on 15. . May 1944 in Stolp / Pomerania (now Slupsk / Poland). After moving the family to the West he grew up with his four sisters in Hanover.

After professorships in Münster and Bamberg, he was appointed in 1992 to the Ludwig-Maximilians-University of Munich. Also at the London School of Economics and Political Science and the Fondation Maison des Sciences de l’Homme in Paris, he held professorships. From 1973 to 1979 he worked as a research assistant at the University of Munich, then a professor of sociology at the universities of Münster and Bamberg.

In 1992 he returned to Munich. As director of the Institute of Sociology he remained there until his retirement (2009). In 2011 he was a member of the Ethics Committee of the Federal Government for a “Secure Energy Supply”, which was given the Fukushima nuclear disaster pursue the question of whether the benefits of nuclear power outweigh their risks. A number of foreign universities awarded an honorary doctorate Beck has also won numerous awards.

Federal Economics Minister Sigmar Gabriel (SPD) praised Beck on Saturday as “precise analyst and valued advisor”. “His criticism of the wrong answers to the crisis in Europe under the heading” Merkiavelli “is all present in a special way.”

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“Risk society” author Ulrich Beck, 70, dies – T-Online

The German sociologist Ulrich Beck has died at the age of 70 years. This was confirmed by Suhrkamp Verlag in Berlin, who has published numerous books of the internationally recognized scientist. As the “Süddeutsche Zeitung”, referring to the deceased’s family reported an eminent scientist, died on January 1 of a heart attack

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Our main themes

Beck coined the term “risk society” and the “second modernity” and is considered one of the most important, most influential and most cited sociologists of the present with an international reputation.

reach him since the eighties descriptions of the present, which met on the academic field also in politics very well received. The paved him a career that is granted only to a few sociologists. Many politicians gathered at him food for thought.

So Beck in 2011 by German Chancellor Angela Merkel (CDU) in the Ethics Committee of the Federal Government for a “Secure Energy Supply” called, which dealt with the use of nuclear power, and given the nuclear disaster at Fukushima the question put to, whether the benefits of nuclear power outweigh their risks. Despite dire predictions, Ulrich Beck is an optimist remained -. To the last

“risk society” in 35 languages ​​translated

Beck was particularly interested in the fundamental change in modern government-authored companies, particularly in the character of the globalization and the resulting consequences for the economy, politics and culture. A particular concern of his sociology was to overcome the interpretation framework of the nation-state within the territorial limits in favor of a cosmopolitan thinking beyond national borders.

His first time in 1986 published book “Risk Society. Towards a New Modernity” has been translated into more than 35 languages ​​and updated with the book “world risk society” of 2007. It made him internationally well known far beyond academic circles.



Steep theses: Victory of the West poses risks such as terrorism

In his book on the risk society Beck points out the dangers of modern Western societies, which can not be compensated by the state. Risks and loss of control of the state and its institutions in the globalized world remained until recently his subject, inter alia, in the debates on the digital surveillance and global warming.

One of the central theses Becks is that the modern Society does not suffer from their defeats, but to their victories: The global terrorism, Beck, is a consequence of the victory of Western modernity in relation to other social and cultural forms. The climate crisis is threatening, according to Beck because industrialization has been so successful. Mass unemployment follows from the productivity gains. . And the age pyramid sprinkle social systems, because the medicine let people live longer

Beck’s comments on the social construction of global risks in the “second modernity” found much approval: Because the risk – as the anticipation of a possible catastrophe – impossibility of quantifying depended be his felt extent of the definition. It could dramatized or minimized, transformed or be denied. And it must be visible, such as a hurricane, which is explained as the harbinger of global warming.



Criticism of safety laws after September 11

However, Beck was also critical of the policy, he was trying to advise: The global world risks, argued the sociologist escape the controllability. He criticized the policy sometimes staging the terror and fear of terrorism use since the attacks of 11 September 2001 to bring uninhibited safety laws and government monitoring instruments on the way.

But even with humor, catchy images and traction published Beck – occasionally with his wife and colleague Elisabeth Beck-Gernsheim – a bestseller after another. In “The Normal Chaos of Love” (1990) and “distance love: life forms in the Global Age” (2011), the couple described the destruction of traditional values ​​and commitments, as well as the consequences of individualisation

Research in Munich. London and Paris

Beck was born on May 15, 1944 in Stolp in Pomerania. After moving the family to the West he grew up with his four sisters in Hanover. After completing his studies in the fields of sociology, philosophy, psychology, and political science in Munich, he received his PhD in 1972. From 1973 to 1979 he worked as a research assistant at the University of Munich. Seven years later he completed his habilitation there in sociology.

After professorships in Münster and Bamberg, he was appointed in 1992 to the Ludwig-Maximilians-University of Munich, where he became a professor of sociology. As director of the Institute of Sociology he remained there until his retirement (2009). He also held professorships at the London School of Economics (LSE), in Cardiff and the Fondation Maison des sciences de l’homme in Paris. A number of other foreign universities awarded him an honorary doctorate, also Beck has received numerous awards.



Evaluation from the ranks of the SPD

The SPD chairman Sigmar Gabriel said in Berlin, with Beck lose German and European politics, especially the social democracy, a pioneer of policy and “precise analyst and valued advisor, who took up especially current social conditions and developed action orientation of scientific reflection and passed out.”

“We were all in the last thirty years, influenced by his paradigmatic concepts and theorems that stimulated not only the international research, but also the political discourse.” Gabriel added: “His criticism of the wrong answers to the crisis in Europe under the heading ‘Merkiavelli’ is all present in a special way.”

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“A love for peace” in the First – Due to overcrowding, sullen – Süddeutsche.de

The ARD epic “A love for peace” tells the story of Bertha von Suttner and Alfred Nobel. The star-studded with Birgit Minichmayr and Sebastian Koch film might be worth seeing if the program makers had not so overloaded it.

By Richard N. Sweet

The best, here it is fortunately not the end: Birgit Minichmayr as Bertha von Suttner and Philipp Hochmair aka Arthur von Suttner, operatives take to the Caucasian steppe. Disowned and dishonored must the young, aristocratic couple lead a new life – stranded in a simple wooden house away from civilization

Every few weeks, two friendly, but certain envoy on horseback to tell the two, which is why. Princess in St. Petersburg, she still can not receive. The front line of the Russo-Ottoman War approaches threatening.

Bertha von Suttner published her first stories, he tries to be a war correspondent. Self-discovery between chopping wood and densities, it’s fun to watch the two here. . Two hippies in the late 19th century

The episode begins in the first quarter of the film; it comes not a moment too soon. Until then, it would have enough reason given wegzuschalten: Bertha von Suttner is there not married yet, as the Countess Kinsky they hired as private secretary to the inventor and millionaire industrialist Alfred Nobel

After the first encounter – a silly scene. in a coffin plays an important role – they sit together now and talk. It is clear to see: he admired, exactly as she admires him. Finally, the Countess says: “Books were for years my best friends Imagine times before, there are no books..”

He: “Without books we were monkeys.”

“What do you have to monkey?”

He: “Nothing I have something against stupidity..”

“. Since we’re at it for two”

Sets for eternity, dull middle-class education to scream. The distinguished Alfred Nobel but is so enamored of the Countess that he acquaintance nachreist her after only twelve days across half of Europe to see her again.



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Trailer “A love for peace” For video products

(Video: First , Photo: ARD Degeto / Mona Film / Oliver Roth)

A love for peace is another epic in the number of large-scale adaptations of historical materials that make a career since the new millennium in the public service broadcasters. In addition Minichmayr and Hochmair First, BR and ORF wait here in the role of Alfred Nobel, Sebastian Koch on.

This is the more remarkable because he rarely occurs in television productions. “This wonderful role, the very good writer and my partner have I made the decision easy,” he says in the accompanying text. As for Minichmayr, Hochmair and cooking, this assessment is accurate, they could make the film a remarkable film. If it were not for the script.

Author Rainer Berg has tried to make three rather complex content easy to consume in just 90 minutes. There is the unrequited love story between Suttner and Nobel, as is the career of Bertha von Suttner; Finally, it is also about the dichotomy of the researcher Nobel between science and morality

The script is based on the play of the author Esther Vilar, “Mr. & amp; Mrs. Nobel.”. Vilar is known for the events to an exciting “So it could have been” weiterzuspinnen.

The efforts of television producers, the amount to condense on fabric and television timely smoothing, however, leads to a “Thus, not it have been. ” It can literally feel as constantly pulling on the strings and dragged to press the big issues in a compatible for the mass audience corset.

That has been visible also in the certainly impressive facilities of the film. However, in an attempt to map the perfect time, it creates an unbelievable hyperreality.

The working title of the film was “Madame Nobel”. That he was not for a movie, about Birgit Minichmayr got very annoyed. “I think this title change very, very bad,” she said in an interview. “I was told, ‘Madame Nobel” was misleading, could be the proper name’ classy ‘read Nobel’ as an adjective ‘. How stupid do you hold the audience actually “There is the problem of the entire production:. As a viewer, you do not feel taken for full

A love for peace ARD, Saturday at 20:15 clock.

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Saturday, January 3, 2015

Obituary Ulrich Beck: He lived what he taught – Times Online

All theory is gray? Not with Ulrich Beck. He described the “risk society” and yet was full of confidence. That makes him not after.

Ulrich Beck

Ulrich Beck in November 2012 in Berlin. At that time he presented his book “The German Europe”. | © Steffi Loos / DAPD

His optimism was unique, and he was also contagious. Ulrich Beck was the confidence personally, almost anthropological primed. He was convinced that education acts. All theory is gray? Certainly not in this sociologist, an exceptional figure in his profession. In 2009 he became Professor Emeritus in Munich, London, and Harvard, he continued to teach. At the age of seventy years, he is now dead.

Suddenly, in the middle of the 1980s, this was always cheerful, bright-imposing figure on stage, like once Ralf Dahrendorf twenty years earlier. He was one where you just listen and whose texts you had to read if you want to understand the world of modernity. Just as a journalist! Like the social philosopher Jürgen Habermas – with whom he later befriended – he personified the generation and era in which sociology was considered a leading science.

If you want to know who he is, was it and how to explain the enormous influence of someone in the narrow sense founded but no school with students, the book may still under the programmatic title Risk Society take at hand. It was written before the nuclear disaster at Chernobyl in 1986, published immediately thereafter. Understanding could henceforth it not only as a book for an hour, the anticipated accurate manner, as humanity moves to the edge of the abyss in their progress bliss and blindness.

Becks lasting piece of art, rather, was not to deny the apocalyptic future. With tongues of angels, you have to put it that way, he tried to convince us that in such risks we encounter the other face of modernity – our constant companion in all futures. In his view, but there was no reason why to throw in the towel. It came at the right attitude to risk. The “reflexive modernity” as Beck should call her, was born. It will remain so, he never tired of preaching: We must prepare ourselves to an ambivalence of technical-scientific world. But still he was certain that it put an opportunity for self-determination.

talk

Even in the preface to this book, he himself came to the glitter of Lake Starnberg. There he had retired to bring the risk society on paper, and there later they reached him often when he refrain from ever crowded Seminar in Munich and from Schwabing and black to white and to grasp the reality in concepts and explain and sought to hold, as he perceived them.

From this glitter always remained somewhat. To feel even got the his sharpest critics, he was not theoretical, analytical, stringent enough – and he disarmed by jumping with joy and humor and self-irony and sleeves rolled up in every debate. Who among his fellow professors had ever so much pleasure drawn from the objections, reservations, counter-arguments of the student or students and the academic adversaries like him? I also know of anyone that I wanted to hear as a journalist like many times as he sees the world. Not because he pretended they ex cathedra to understand, but because he was a seeker himself.

With its countless books and interference of any kind it was him again and again about yourself and to open our eyes to the real innovation in our Western, wealthy, “modern” societies: His findings of the risk society already described a huge paradigm shift. No longer the classic conflict between capital and labor, as well as redistribution issues were for him in the center, but the ecological issues of future life-world, the exhausted natural resources, the hidden sides of a supposedly linear scientific and medical advances.

He sought, in his words, “antidotes” against the poisons of modernity. The individualized society he diagnosed, not to entangle cultural pessimism around the arms. He wanted to explore ways that will not result in atomization of modern societies, but each of us allow self-assertion. He could almost raving about “craft biographies” of working couples who pursue their careers and flying around in world history, but their love and not lose sight of.

Sometimes, no, very often said to him himself and recognize his wife, Elisabeth Beck-Gernsheim, also a sociologist therein. His response to globalization was accordingly not that one should refuse her. He tried to understand them, to control them can – be therefore “cosmopolitan project”. This, however, had its own guild finally their “methodological nationalism” buried, as he requested.

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Ulrich Beck died – sociologist wrote “risk society” – RP ONLINE

Munich. His findings on the “risk society” paved him a career that is granted only to a few sociologists. Many politicians gathered at him food for thought. Despite dire predictions, Ulrich Beck has remained an optimist -. To the last

The sociologist Ulrich Beck has died at the age of 70 years. This was confirmed by the spokesperson of the Suhrkamp Verlag in Berlin, Tanja Postpischil, on Saturday. According to a report by Süddeutsche.de Beck died on January 1 of a heart attack.

Beck was one of the most influential and best-known social scientists of the past decades. Many politicians gathered at him food for thought. He became famous with his bestseller “risk society” (1986), which was translated into more than 35 languages ​​and updated with the book “world risk society” of 2007.

society suffers from their victories

According to modern society does not suffer from their defeats, but to their victories: The global terrorism is a consequence of the victory of modernity. The climate crisis is threatening because industrialization has been so successful. Mass unemployment follows from the productivity gains. The age pyramid breaks the social systems, because the medicine can people live longer

Beck’s comments on the social construction of global risks in the “second modernity” found much approval: Because the risk – as the anticipation of a possible disaster – not. is measurable, his felt extent of the definition depends. It can be dramatized or minimized transformed or be denied. And it must be seen as a hurricane, which is explained as the harbinger of global warming.

criticism of security policy

The global world risks, as argued Beck, withdraw the controllability. He criticized the policy sometimes staging the terror and fear of terrorism use to bring uninhibited safety laws and monitoring instruments on the way

With humor, catchy images and traction published Beck -. Sometimes with his wife and colleague Elisabeth Beck-Gernsheim – a bestseller after another. In “The Normal Chaos of Love” (1990) and “distance love: life forms in the Global Age” (2011) described the couple’s destruction of traditional values ​​and commitments, as well as the consequences of individualisation

Gabriel. We were all influenced by pelvic

The SPD chairman Sigmar Gabriel Beck acknowledged as a pioneer of the policy. “We have all been affected in the last 30 years of his paradigmatic concepts and theorems that stimulated not only the international research, but also the political discourse,” Gabriel said in Berlin on Saturday. “Ulrich Beck was a precise analyst and valued advisor, who took up especially current social conditions and developed action orientation of scientific reflection and passed out.” Gabriel added: “His criticism of the wrong answers to the crisis in Europe under the heading” Merkiavelli “is all present in a special way.”

Beck was on May 15, 1944 in Stolp / Pomerania (now Slupsk / Poland). After moving the family to the West he grew up with his four sisters in Hanover. From 1973 to 1979 he worked as a research assistant at the University of Munich, then a professor of sociology at the universities of Münster and Bamberg. In 1992 he returned to Munich. As director of the Institute of Sociology he remained there until his retirement (2009).

As a visiting professor he taught from 1995 to 1998 in Cardiff (Wales) and from 1997 at the London School of Economics and Political Science (LSE) , In 2011 he became professor of the Paris Science Foundation Fondation Maison des Sciences de l’Homme (FMSH)

Source: AP

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On the death of the sociologist Ulrich Beck – FAZ – Frankfurter Allgemeine Zeitung

      

 
 
 
 
 
     
 
 
 
 
 
 
 
 
         
 
                                           
 
 
     
     
     
         
         
                                                             

In life, Ulrich Beck, everything changed because of a coincidence. In 1986, the then teaching in Bamberg sociologist published his book on “risk society”. It was meant as a revision of the left thought. Modern society appeared at Beck not more than one marked by the “class conflict” along with the attached conflict and thus by the position of ind ividuals in economic production. Environmental, technical and biographical risks are not easy to come by redistribution or state administration under control. Not so one of the most striking formulations of the book, the distinction between the top and bottom, smog follow, however, is democratic.


                         
         
         
                                                             
                             

Jürgen Kaube Author: Jürgen chewing, born in 1962, editor consequences.

No sooner had Beck wrote that joined the nuclear disaster at Chernobyl. The completed first almost any discussion, there was a book on the situation. In more than thirty languages ​​it was translated, its author, who was an inequality and labor market researchers medium prominence until then, gained prominence maximum. In retrospect, one might almost think he even have the word “globalization” invented, which then spread rapidly.


                         
         
         
                                                             

Becks theories such as those of the increasing “individualization” of life that can no longer rely on milieu-specific traditions, there shone a at least in urban readers from the academic milieu. Books on love and relationship as received phenomena such as single parents and sing le households were read as a sociological counselor in the age of “craft biography”. Although always remained somewhat unclear in all of this, how individuality can be increased at all. But the feeling of career choice and marriage behavior, consumption style and political choices and combinations of all of this were not an “So that was always with us” reasons, had by Beck, who taught at the University of Munich soon thereafter, and by 2009, a time diagnostic prose found.

                         
         
         
                                                             

So if for not only political, but also life-world transition from red to red-green background needed an essay knowing they had it. What Ralf Dahrendorf, the Beck later succeeded to the London School of Economics, was in the sixties for the Social Liberals, it means for the new coalitions. A little later, was invented in England “New Labour”. Again, punctual, 1993, Beck was presented under the title “The reinvention of politics” his “theory of reflexive modernization”, which recommended the parties to separate from the wishes of industrial modernity, their family pictures and their social state control fantasies, their unintended side-effects in taking his eyes.

                         
         
         
                                                                                                                                                                                                                                                                                      

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yourself so knowing in perfect accord with the spirit of the times, Beck had his subject that took apart all his theses and some might keep it, behind it. You could study good at it that time diagnostics also means having to reinvent everything, sometimes what already exists. Beck used, for example, a lot of energy trying to tell sociology, they think too closely within national borders. Or, he said, “God’s own” (2008) estimated an individualization of religion, which had been forty years previously had presented under the title “invisible religion” as a diagnosis. Either so loved the extremely affable, unaggressive intellectuals now belonged to political program and future and ethics committees, produced policy recommendations for the “new center”, was book series matching his diagnoses out and was able to provide information on almost every major social issue.


                         
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                                                             He received

Personally, thereby lot of self-irony. Among his pupils – to him once a commemorative those “who have all been published under the name of Ulrich Beck,” should have passed – is the ruling on the sympathetic boss who did apply strong arguments differ unanimously. Even colleagues could possibly be angry his freehand developed theses, but never his person. On the first of January, it has been learned, Ulrich Beck died at the age of seventy years.


                         
         
         
                                                                   
Ulrich Beck in dialogue about the risk society

 
  

 
 
 
                       

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The sociologist Ulrich Beck brought Zeitgeist and political changes in handy formulas, and thus became one of the most prominent representatives his subject. Now he has died at the age of seventy years.

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Meinhard von Gerkan’s 80th birthday – The cosmopolitan – Süddeutsche.de

In 50 years of professional life has realized Meinhard von Gerkan 350 buildings, including museums, concert halls, traffic, hospitals, arenas and airports. His architecture is one of the weltläufigsten that Germany has produced – a tribute on his 80th birthday.

By Gerhard Matzig

If you like the architectural firm gmp (Meinhard von Gerkan, Marg and Partners Volkwin) and is in Hamburg in the phone queue, hear seagulls. This is the location of the office of the Elbchausee owed. The view of the harbor. Hamburg, Gateway to the world. This is Meinhard von Gerkan, who will be 80 years old on Saturday and dates back to Riga from the Baltic Sea to enjoy. A port is not the worst image to describe in 1965 he co-founded gmp.

It is one of weltläufigsten architectural firms that Germany has produced. In the half century of its existence, it gained 590 competitive prices a, 350 buildings were realized, including museums, concert halls, traffic, hospitals, arenas, airports.

It was built great and small, meaningful and commonplace in Gelsenkirchen as in Lingang. 500 employees of gmp work in Aachen, Doha, Moscow -. Gmp is in the world at home

Meinhard von Gerkan, who lost his German-Baltic parents in the war and on the run from Posen and in a Hamburger foster family grew up, when he looks at the Elbe-gulls arrived. But at the same time: ready to leave. When you meet him, he is always on the go from site to site. The port, whether on a water or for the air, is a good place for him, Hamburg is the right place for his headquarters.

But Berlin is fateful for the highly acclaimed architects. Devilish well. And again we are dealing with ports, with the old airport Tegel one hand, and he gave the never-ending insanity of major new airport BER in Schönefeld other.



His birthplace is a tribute to the modern classic

The one airport, a stroke of genius, Tegel, the first drive-in airport in Germany stands at the beginning of the amazing career of Meinhard von Gerkan. The other, Schönefeld, the disaster, by no means marks the end of a career, but is still. A glance at a port, as it can be broken-hearted little

Tegel is still regarded as a milestone in the history of Transport Engineering , BER hand, is more of a stumbling block, which is good at most for a realization:. If you want to make architecture, be wary of political builders, managers and organizations of all kinds

Meinhard von Gerkan meets hardly blame for the debacle in Schönefeld, which was nevertheless caused by the client. But still, he will forever remain a BER-architect – even though he has long since departed from the project

Maybe he should not look today from Hamburg to Berlin in the barren steppe, but back to. Riga.

Sign in prison for Gerkan’s understanding of architecture that constantly reminded of the Bauhaus as the space guides by Le Corbusier, is there at the Riga Baltic Sea beach amidst mighty pines, Villa Guna, which was completed after his 2006 draft. She looks longingly sea. The house is a tribute to the modern classic and an eloquent testimony of the entrenched in this Modern art design of an architect who was last actually perceived only as a “star architect”. But he is above all an architect. A good architect. That’s a lot.

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“Tatort: ​​The madman Ivan”: elm apologizes for sound disaster – T-Online

Thank “Tatort” fans passed the second Weimar case with Christian elms and Hoku Ho in the truest sense of the word hearing and seeing. On the web it rained plenty of criticism for “The madman Ivan”.

In addition to substantive aspects, many viewers bother striking as the sound quality was perceived as miserable. It was said on the Facebook page of the “crime scene”: “Sound like a video out of the question” and “An absolute impudence is already back on the scene, the sound quality is appalling time again remains only the switching…”

t-online.de has requested from the first: “.. Technically everything was checked transmission band and transmission routes were ok so there is no technical error detected” confirmed us Lars Jacob, the press secretary of “Das Erste” , “Whether it’s probably come to regional variations by cable operators, we can not say.”



“You have to really do something with the sound!”

Meanwhile, however, also lead actor Christian elm on his Facebook profile responds to the criticism: “I’m sorry, next time there’s the roughest, best-tuned sound Boarded myself to it…” In this case, the sound disaster has obviously already announced during the filming and would have been entirely avoidable: “And Nora added:! People, the sound you have to really do something at the sound And all this: no, no, sound is great. And now we have the mess, “writes elms and provides a solution proposal with the same:” We must Nora pay more attention “but

Humorous he restricts right back to where Nora’s debate was unfortunately not much to do. , He was planning “from now singing lessons on the recommendation of an old buddies” to take


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