We need to talk about heroines. About the seventeen year old Bella, the “bite” novels in the school to know a vampire in Stephenie Meyers, with whom she falls in love. About Arya, the girl with the sword in George RR Martin’s fantasy saga “A Song of Ice and Fire” by one populated by undead and sorceresses medieval world fights. About Katniss, the main character of Suzanne Collins’ trilogy “The Hunger Games”, which must prove itself in a death match that held the top layer of a derailed US future world with the children of the lower class. And their images in the film.
Author:. Andreas Kilb, born in 1961, feuilleton correspondent in Berlin
Because these figures of light, which the reading, cinema and television audiences millions of times worships, are their stories bestsellers and blockbusters and download phenomena, are dark. Their souls are sore, Disorder and Early Sorrow raged therein. Bella is a child separation, Arya has seen her father die on the scaffold. And Katniss, the darkest of all, has killed people to the “Hunger Games” to survive the terrible games that held a man named President Snow for the corrupt elite of the capital of the oligarchic state Panem.
A media world, from the battlefield inspired
Jennifer Lawrence, an actress who seems more than any other of her generation suitable to be a fighting machine and pain Madonna in one, has with this figure, the early part of her life found. In her fighting with bows and arrows against evil, take two male icons of popular mythology together, a medieval and a modern Robin Hood, the avenger of Sherwood Forest, and Neo, the savior of the profane “Matrix” films the Wachowski siblings. The narrative but binder that holds together these two different heroes images in the figure of the girl Katniss, is a satire on contemporary media world, how they sarcastic hardly can imagine.
What does this mean, you see a scene in the new “Hunger Games” movie “Mockingjay – Part 1″, which comes this week in theaters. It says Katniss escape the last hunger games almost, in an underground movie studio to record in front of painted battlefield setting a propaganda commercial for the rebels who rose up under the leadership of Alma Coin (Julianne Moore) against the central government. The man who runs the record, bears the appropriate name Plutarch Heavensbee (heaven bee) and is played by the recently deceased Philip Seymour Hoffman with fine irony. You do not have Philip Seymour Hoffman hot to realize that Katniss screwed up her performance. Your Kämpfertum acts rehearsed, her pose matt, so that an emergency meeting is convened, at which the leaders of the insurgents decide to suspend their advertising wearer a real battlefield.
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